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THE ' BALTIMORE 
MUSEUM’OF'ART 



INAUGURAL EXHIBITION 

FEBRUARY 22 UNTIL APRIL 1 
MOUNT VERNON PLACE 

ENTRANCE 101 W, MONUMENT STREET 

f 


1 - 1923 < 1 







The Baltimore Museum oj Art is open 
free during the Inaugural Exhibition 
daily from 10 A. M. to 6 P. M.; 
Friday until 10 P. M.; 

Sunday 2 to 6 P. M. 


Many of the works in this exhibition are for 
sale; prices may be obtained by inquiry at the 
information desk or from a member of 
the staff in the Museum office. 













COURTESY JOHNS HOPKINS UNIVERSITY 


MARY GARRETT 

By John S. Sargent 





THE BALTIMORE 
MUSEUM OF ART 


CATALOGUE 

of the 

INAUGURAL 

EXHIBITION 


Admission Free 
Daily io a. m. to 6 p.m.; Friday until io p. m. 
Sunday 2 to 6 p. m. 

February 22 to April i 


1' 1923 * 1 











N 5 oao 



COPYRIGHT 1923 BY 
THE BALTIMORE MUSEUM OF ART 


om 

Publish©? 
KAY / 


PRESS OF 

NORMAN T. A. MUNDER &. CO 
BALTIMORE 










^ ’ ^ r^~ ’ Vm ^^L’ ^ r-A—^ f-A—, r^-A-^ f-A—? r —A-^ 


ILLUSTRATIONS 

Page 

Mary Garrett, by John S. Sargent Frontispiece 
The Buccaneers, by Winslow Homer . . 12 

Melancolia, by Albrecht Diirer ... 18 

Water Bottle, Hindu, XVII century . . 20 

Silver Tankards, American, XVI11 century 24 
Knee-hole Desk, American, XVIII century 28 
End of the Trail, by James E. Fraser . 30 

Shepherds of Arcadia, by J. B. C. Corot . 36 

'##' 




























OF THE EXHIBITION 

1 

GALLERY A 

Paintings in water colors by American artists 

GALLERY B 

Etchings by Old and Modern Masters, from the Lehr Collection 

GALLERY C 

East Indian, Damascan and Persian metal work, wood 
carving and textiles of the XVI, XVII, 
and XV111 centuries 

GALLERY D 

American and English silver and furniture of the XVIII and 
early XIX centuries 

GALLERY E 

Sculpture by American artists 

GALLERY F 

Paintings in oil by American and foreign, deceased 
and contemporary artists 











INTRODUCTION 

/ 

Inaugural Exhibition 

D uring the past few years the arts have become a 
I very vital part of life. We no longer think of the Art 
Museum simply as a depository for things that have 
passed out of fashion or that are too large to be used in the 
home, as a storage warehouse for large paintings and sculp¬ 
ture, to be displayed in enormous cold and solemn halls 
where the few visitors speak in hushed voices and are not 
encouraged to pay more than one visit. Instead it is real¬ 
ized that the Arts are many sided and that they add inter¬ 
est to our daily surroundings. Museums of Art therefore 
are now planned to attract the young and the old, the 
seeker after beauty and the student, the tired man and 
the lonely woman, and offer to all a friendly welcome which 
will create a desire for frequent visits. 

It is in this spirit that the Inaugural Exhibition of The 
Baltimore Museum of Art has been planned. Furniture and 
silver used by our ancestors a century or more ago can be 
enjoyed for their sheer beauty of form, color and pattern. 
The everyday metal utensils of the Hindus are full of in¬ 
terest to the student of Asiatic customs and the designer 
will find here a wealth of varied and beautiful decorative 
motifs. Among the etchings will be found beautiful and 
exquisite works by old and modern masters, the XX cen¬ 
tury work being as rich in beauty of line and in the quality 
of its light and shade as some of the prints executed three 
hundred years ago. 


[9] 




10 Baltimore Museum of Art 


In the handling of water colors our American painters 
are displaying extraordinary ability, and the strongest 
paintings in this medium can be enjoyed in the small gallery 
with its intimate appeal. In the big picture gallery oil paint¬ 
ings by masters of the XIX century, both European and 
American, are hung side by side with the work of our con¬ 
temporary American artists, forming a comparative exhi¬ 
bition wherein each work has a special charm of its own 
and each contributes some beauty to the whole. So also the 
sculpture, which is displayed chiefly in a garden setting. 

The homes of the citizens of Baltimore contain many im¬ 
portant works of art and the Inaugural Exhibition affords 
an opportunity for the general public to see and enjoy some 
of these treasures, thanks to the generosity of their owners. 
In the catalogue due credit is given under each entry in the 
sections of painting and sculpture. In the case of silver it 
has not been found practical to print the entire list. The 
Board of Directors extends to all the lenders, both in Balti¬ 
more and elsewhere, sincere thanks for their very generous 
co-operation. 

Special credit is due to Mrs. Miles White, Jr. who has col¬ 
lected and installed the exhibit of silver; to Mr. Thomas 
Corner and Mr. E. L. Bryant for aid in selecting and hang¬ 
ing the paintings; to Mr. J. Maxwell Miller for similar work 
in connection with the sculpture; to General Lawrason 
Riggs for taking charge of the prints; to Miss Julia Rogers 
for help with the invitation list; and to the President and 
Secretary for constant advice and assistance. 

Foundation of the Museum 

Incorporated in 1914, The Baltimore Museum of Art was 
a culmination of a two year campaign by the City-Wide 
Congress for the foundation of an Art Museum in Balti¬ 
more. After several attempts to secure a suitable location, 





Inaugural Exhibition 


11 


the Johns Hopkins University granted the request of the 
Museum Directors to set apart for the erection of a Mu¬ 
seum of Art a plot of land of about four acres located at the 
South end of the University property adjoining Wymans 
Park and facing Thirty-first Street. The Garrett Mansion, 
overlooking Mount Vernon Place, has since been placed at 
the disposal of the Museum, for a limited number of years. 

The house has been adapted to the uses of the Museum, 
equipped with the most approved type of exhibition cases 
and stereopticon installed. There will be permanent and loan 
collections of the fine and industrial arts and the most inter¬ 
esting exhibits procurable will be brought to Baltimore. It 
is hoped that a permanent collection will be built up through 
gifts. All beautiful things, from a few inches of exquisite lace 
to a masterpiece of Greek sculpture, will be accepted with 
equal appreciation and used to the best advantage. 

Service and co-operation are the keynotes of the policy of 
the Museum. The Friends of Art and the Handicraft Club 
have established their headquarters in the Museum build¬ 
ing; the Watercolor Club and the School Art League have 
become affiliated members. 

The general public, the art lover, the artist, the art stu¬ 
dent, the manufacturer and the craftsman will be offered 
an opportunity to see here works of artistic merit in paint¬ 
ing, sculpture, graphic arts, metal work, textiles, furniture, 
ceramics, etc., and every facility will be offered for study. 
In addition to the active educational work carried on in the 
Museum, traveling exhibitions and lectures will be avail¬ 
able, under certain conditions, for use in public and private 
schools and by organizations throughout the city and state. 

The members of the Board of Directors have been en¬ 
thusiastic in their support of the whole plan and its success 
is due to their personal interest and co-operation. 

Florence N. Levy. 






THE BUCCANEERS 

By Winslow Homer 








WATER COLORS 

By American Artists 


GALLERY A 


BEAL, REYNOLDS, A. N. A. American; contemporary. Lives in 
New York City. Marines. 


1. Cape Ann Fishermen. 

2. Early Morning. 


Lent by the Artist. 
Lent by the Artist. 


BENSON, FRANK W., N. A. American; contemporary. Lives in 
Boston. Pupil of Boston Museum of Fine Arts School; Julian 
Academy in Paris under Bouguereau and Lefebvre. Numerous 
awards. Represented in Cincinnati, Metropolitan and many other 
museums. Portraits and figure subjects in oil; landscapes in 
water colors; etchings. 

3. Back Yard, Nassau. Lent by the Artist. 

4. Dish of Fruit. Lent by the Artist. 

5. Grey Sea. Lent by the Artist. 

CROWNINSHIELD, FREDERIC, N. A. American; 1845-1918. 
Born in Boston; lived much in New York City and in Italy, 
where he died. Studied water color painting under Rowbotham 
in London; Ecole des Beaux-Arts in Paris under Cabanel, and 
with Couture. Instructor at Boston Museum Art School 1878- 
1885; President Fine Arts Federation of New York City 1900- 
1909; Director American Academy in Rome 1909-1911. Mural 
decorations, stained glass, landscapes in oil and water color. 

6. Old Church, Taormina. Lent by the Crowninshield Estate. 

DEMUTH, CHARLES. American; contemporary. Born at Lan¬ 
caster, Pa.; has lived much in Paris. Pupil of Pennsylvania Aca¬ 
demy of the Fine Arts under Anshutz. 

7. Sunflowers. Lent by Miss Grace Turnbull. 


[ 13 ] 




14 


Baltimore Museum ofArt 


DEWING, THOMAS W., N. A. American; contemporary. Born 
in Boston; lives in New York City. Pupil of Ecole des Beaux-Arts 
in Paris under Boulanger and Lefebvre. Numerous awards. Rep¬ 
resented in Freer Collection, Washington; Metropolitan and 
many other museums. Decorative figures in oil and pastel. 

8. Pastel No. 4. Lent by the Milch Galleries. 


HOMER, WINSLOW, N. A. American; 1836-1910. Born at Boston; 
lived many years in New York; died at his home at Scarboro, 
Maine. Apprenticed to a lithographer in Boston; studied at Na¬ 
tional Academy of Design in New York; was correspondent for 
Harper’s Weekly during the War of the Rebellion. Figure sub¬ 
jects atfirst; Maine coast marines with figures in oils; latest works 
water colors in West Indies. 


9. Florida Jungle. 

10. The Buccaneers. 

11. Nassau, 1885. 

12. The Trout. 


Lent by the Brooklyn Museum. 

Lent by the Milch Galleries. 
Lent by Mrs. Charles S. Homer. 
Lent by Mrs. Charles S. Homer. 


MARIN, JOHN, American; contemporary. Pupil of Pennsylvania 
Academy of the Fine Arts; Art Students’ League of New York; 
Delecluse Academy in Paris. Represented in Luxembourg, Paris. 
Landscapes. 

13. Valley. Lent by the Daniel Gallery. 


PENNELL, JOSEPH, N. A. American; contemporary. Born in Phil¬ 
adelphia; lived long in London; now in New York. Secretary New 
Society of Artists in New York; member many European and 
American art organizations. Numerous awards; including gold 
medals Paris Exposition 1900, Dresden 1903, Grand prize St. 
Louis 1904, Milan 1906, London 1913, etc. Represented in Li¬ 
brary of Congress and many other print collections. Etcher, 
painter in water colors. 

14. After Sunset. 

15. Showers. 

16. Winter Sunset. 


Lent by the Artist. 
Lent by the Artist. 
Lent by the Artist. 





Inaugural Exhibition 


15 


SARGENT, JOHN SINGER, N. A., R. A. American; contempor¬ 
ary. Born in Florence, Italy, of American parents; lives chiefly in 
England. Pupil of Carolus-Duran in Paris. Many awards, includ¬ 
ing medal of honor Paris Expositions 1889 and 1900. Mural dec¬ 
orations in Boston Public Library and in Boston Museum of Fine 
Arts; represented in Luxembourg, Paris; National Gallery, Lon¬ 
don; and many museums in United States. Portraits, mural dec¬ 
orations, landscapes. 

17. At Frascati, Italy. 

18. Boboli Gardens, Florence. 

19. From the Gondola, Venice. 

20. Spanish Soldiers. 

21. The Giudeca, Venice. 

22. Unloading Plaster, Italy. 


Lent by the Brooklyn Museum. 
Lent by the Brooklyn Museum. 
Lent by the Brooklyn Museum. 
Lent by the Brooklyn Museum. 
Lent by the Brooklyn Museum. 
Lent by the Brooklyn Museum. 


TRYON, DWIGHT, N. A. American; contemporary. Born at Hart¬ 
ford, Conn.; lives in New York City. Pupil of Jacquesson de la 
Chevreuse and of Daubigny in Paris. Numerous awards. Many 
works in Freer Collection, National Gallery, Washington; also 
represented in Metropolitan and other museums. Landscapes in 
oil and in pastel. 

23. Among the Hills—May (pastel). Lent by Mr. Daniel Willard. 

WALKER, HORATIO, N. A. American; contemporary. Born in 
Canada; works there and in New York City. Many awards. Rep¬ 
resented in Metropolitan and many other museums. Peasant sub¬ 
jects in oil and water colors. 

24. A Canal. Lent by the Montross Gallery. 

WEIR, J. ALDEN, P. N. A. American; 1852-1919. Pupil of his 
father, Robert W. Weir, at West Point; National Academy of De¬ 
sign in New York; Ecole des Beaux-Arts under Gerome in Paris. 
President National Academy of Design 1915-1917. Numerous 
Awards. Represented in National Gallery, Washington; Metro¬ 
politan and many other museums. Figure subjects and land¬ 
scapes; also etcher. 

25. Mill on the Itchen. 


Lent by the Milch Galleries. 





16 


Baltimore Museum of Art 


WHISTLER, JAMES A. MacNEILL. American; 1834-1903. Born 
in Lowell, Mass., lived chiefly in London. Studied at United 
States Military Academy at West Point; pupil of Gleyre in Paris. 
Represented in the Luxembourg, Paris; Metropolitan Museum; 
a large collection in the Freer Gallery, Washington. Portraits, 
figure subjects, marines; also noted etcher. 

26. The Captive, (chalk drawing) Lent by the Knoedler Galleries. 












GALLERY B 


1 

T he engravings and etchings here shown are selections 
from the print collection made by the late Mrs. Marie 
Conrad Lehr, and named by her The Conrad Collec¬ 
tion. Mrs. Lehr began the acquisition of prints immediately 
at the close of her school days and has left an intimate and 
interesting statement of her hopes and desires as a collector 
and of the emotional appeal which prints made to her. 

In a foreword to the catalogue of the exhibition of her 
prints held in Baltimore in 1914, Mrs. Lehr wrote: 

“I have chosen all my proofs because I love them, not because some 
are rarities and of special value; I have selected each because it 
pleased, and my greatest pleasure is not always appended to the ‘show 
pieces’ which able critics of the world have proclaimed, nor am I 
swayed by the desire to have a so-called ‘complete collection’ with an 
example of every effort that an artist has produced. On the contrary— 
quantity speaks no charm, but quality frames an irresistible appeal. 
One beautiful impression is a greater joy than fifty of mediocre tone— 
for only fine impressions express the undistorted intention of the 
artist and are art. 

“There are many fine prints that I long to include and hope to 
gather if time and fate permit, and some of these that I already own 
may still some day ‘step higher’ in impression if opportunity allow. 
Meanwhile I wait and watch and enjoy these exquisite toys and dear 
familiar friends that breathe so much restfulness, inspiration and 
poetry.” 

Mrs. Lehr provided in her will that her collection should 
be “preserved and cared for permanently as my gift to the 
City of Baltimore.” It is hoped that The Baltimore Mu¬ 
seum of Art may soon be able to offer a suitable home for 
these “exquisite toys.” 


L. R. 







WATER BOTTLE 
Bidri, Silver Inlay 
Hindu , XVII Century 






GALLERY C 

1 

METAL WORK 

East Indian, Persian, Damascan, 

XVI, XVII, XVIII Centuries 

T he teak wood carvings in Gallery C were designed by 
Lockwood de Forest for Miss Mary Garrett. They 
were made in his workshops, started in Ahmedabad 
in 1881 under the direction of Muggunbhai Hutheesing, 
son of Seth Hutheesing who built the great Jain Temple, 
one of the sights of India. The collection of metal work in 
this gallery was purchased by The Baltimore Museum of 
Art at the sale at auction in New York City, November 
24th and 25th, 1922, of part of the collection formed by Mr. 
de Forest during the years that he spent in India, as the 
representative of the Tiffany Studios. 

The metal work of the Hindus was one of the indigenous 
arts of India. As far back as 1400 B. C. the ancestors of the 
Hindus had their established blacksmiths, goldsmiths and 
coppersmiths. No mention of brass, however, appears be¬ 
fore the IX century A. D. Where other people used pot¬ 
tery, the Hindus used metal. Nowhere else in the world did 
it enter into the life of the people as it did in India where it 
was made for religious, domestic and personal use, and not 
for ornament. The high standard of perfection attained is 
due to the Brahmanic caste system strictly adhered to by 
the Hindus, who followed the same craft from generation to 
generation. 

The pieces in this collection are rich in design with a pro- 
121 ] 




22 


Baltimore Museum of Art 


fusion of animal, floral and geometrical motifs worked out 
in great detail, which is characteristic of all Indian art. 

These objects bear no relation to the so-called art metal 
work turned out by the ton at Benares during recent years, 
for sale in the foreign market. Machinery may add to our 
material well-being, but it cannot take the place of the gen¬ 
tle hammer taps, skillfully and patiently manipulated, 
which fashion a fine piece of metal work. We learn from Mr. 
de Forest, however, in the introduction to the catalogue of 
his sale, that “the art is lost. The skilled workmen are dead, 
and their sons, who would have continued the work, are 
now in the cotton mills tending spinning machines.” 

A. W. S. 





















































































































































































TANKARDS 

American, XVIII Century 


GALLERY D 

/ 

SILVER 

T he settlers in Maryland and the Southern colonies 
were conservative people with traditions and good 
taste. Many of the families brought heirlooms with 
them, including especially English silver. A number of these 
English pieces and silver made in this country during the 
XVIII century have been lent by descendants and by col¬ 
lectors for this Inaugural Exhibition of The Baltimore Mu¬ 
seum of Art. 

The appreciation of silver made in this country during 
Colonial times dates back only some twenty years. The 
first large exhibition was held in Boston at the Museum of 
Fine Arts in 1906, and the introduction to the catalogue was 
by R. T. Haines Halsey to whose painstaking research is 
due much of our knowledge regarding Colonial silversmiths. 
Then followed the exhibit of silver included in the Hudson- 
Fulton Exhibition at the Metropolitan Museum of Art in 
New York in 1911 when the present writer prepared the 
catalogue with the co-operation of Mr. Halsey and Mr. 
John Buck. A special exhibition of the work by New York sil¬ 
versmiths was held at the Metropolitan Museum the same 
year, and the Museum has recently published “A Study of 
the American Silver of the XVII and XVI11 Centuries Based 
on the Clearwater Collection” by C. Louise Avery. 

Mr. Halsey, in the preface to the Clearwater catalogue, 
says: 

“The intensity of joy at the discovery that among our forefathers 
were noteworthy craftsmen working in the precious metals, at first 


[ 25 ] 





26 


Baltimore Museum of Art 


almost blinded us to the excellence of their workmanship. As piece 
after piece of the work of our Colonial master craftsmen came out of 
hiding, many of them from attic chests others from family safe de¬ 
posit boxes, the splendor of the work of our early craftsmen became 
more and more impressive, and now a recognition of the personal 
touch and individualities of workmanship of many of our foremost 
silversmiths adds greatly to the historical interest formerly all ab¬ 
sorbing. 

“The fascinations of silver are many-sided. Naturally some pieces 
are of a higher aesthetic quality than others. The study of the textures 
is most alluring, and comparisons of the alloys of various makers 
show us that the textures in Colonial plate vary no less than those of 
the velvets and other textiles of various qualities and periods. 

“The same differences apply to its forms and shapes, for in no de¬ 
partment of arts and crafts is sense of line and proportion more neces¬ 
sary in obtaining that standard of excellence described in an utter¬ 
ance of Michaelangelo: ‘Trifles make perfection and perfection is no 
trifle.’” 

The decoration on Colonial silver has been carefully 
studied by Miss Avery, and in her notes on the history and 
technique of American silver that precede the catalogue of 
Judge Clearwater’s valuable collection, lent to the Metro¬ 
politan Museum, she has traced and ascribed the origin of 
the decorative motives used by the early silversmiths of 
this country. 

A considerable amount of silver was produced in Balti¬ 
more in the latter part of the XVIII century, and a few of 
these pieces are included in our exhibition. A special study 
of the early silversmiths of Maryland is in course of prepa¬ 
ration and its publication is looked forward to with much 
interest. The first State law in the United States requiring 
a quality stamp on silver was the Maryland Act of 1814 
which fixed the standard for Baltimore plate as eleven 
ounces of fine silver to every pound Troy (917 fine), and 






Inaugural Exhibition 


27 


required that all objects be assayed by the assay officer and 
stamped by him as well as by the maker. For some years 
after the passage of this act Baltimore plate generally 
bore several stamps: a town mark, the arms of Baltimore; 
a date letter; the assayer’s punch; and the maker’s mark. 
The law was afterwards modified. The oldest existing firm 
in this country is that of Samuel Kirk & Son Company, 
founded in 1815 in Philadelphia and moved to Baltimore in 
1817 by Samuel Kirk. There is therefore legitimate reason 
for the great interest taken by Baltimoreans in the collec¬ 
tion of silver. 

F. N. L. 






KNEE-HOLE DESK 

American, XVIII Century 






AMERICAN FURNITURE 

XVIII Century 


Y 

T he early settlers along the Atlantic Coast brought 
more or less elaborate household goods with them. 
English and Dutch models therefore influenced the 
American cabinet-makers when it became necessary to add 
to the supply of furniture. 

At first the pieces of furniture were very simple; gradu¬ 
ally throughout the latter half of the XVII and the first 
half of the XVIII centuries the workers became more and 
more expert and the pieces followed the European changes 
in style. 

“During the Chippendale period, 1750 to 1775, furniture was made 
in the colonies which for workmanship compared favorably with any 
made in England. In Philadelphia high chests of drawers, dressing- 
tables and desks were made with scroll top and elaborately carved; 
while in New England low chests of drawers, chest-on-chests, dress¬ 
ing-tables and desks were made in the block-front type. Both of these 
styles are original in America and are the contribution of cabinet¬ 
makers here to the art. Pie-crust tables and well carved chairs were 
abundantly made here and were quite the equal of those made in 
England .”—From “Colonial Furniture ” by Luke Vincent Lockwood. 

The few pieces of American furniture in this exhibition 
date from the best period—the third quarter of the XVIII 
century. The block-front knee-hole desk is similar to pieces 
in the Pendleton Collection at the Rhode Island School of 
Design, Providence, and the BoIIes Collection at the Met¬ 
ropolitan Museum of Art, New York. This example is not¬ 
able for the basket carving and gadrooned edge in addition 
to the block and shell. 

The pieces are lent by Mr. John C. Toland. 

[ 29 ] 




END OF THE TRAIL 

By James E. Fraser 


SCULPTURE 

By American Artists 

Y 

GALLERY E 

ADAMS, HERBERT, N. A., N. S. S. Contemporary. Born in Con¬ 
cord, Vt.; lives in New York City. Pupil Massachusetts Normal 
Art School in Boston; Mercie in Paris. Numerous awards, in¬ 
cluding medal of honor San Francisco Exposition 1915. Ex- 
President National Academy of Design and National Sculpture 
Society. Monumental sculpture, including Bryant Statue, New 
York; bronze doors for Library of Congress; doors St. Barthol¬ 
omew Church, New York City, etc.; represented in Metropolitan 
and other museums. 

101. Nordick Type. Lent by the Artist. 

AKELEY, CARL, Contemporary. Member of staff of American 
Museum of Natural History, New York City. 

102. Charging Herd of Elephants. Lent by Mr. Norman James. 

BARTLETT, PAUL W., N. A. Contemporary. Born in New Haven, 
Conn.; studios in Washington and Paris. Numerous awards, in¬ 
cluding grand prize St. Louis Exposition 1904. Monumental 
figures. Represented in Metropolitan and other museums. 

103. Lafayette. (One fifth size of equestrian statue in Paris.) 

Lent by Mr. J. Arthur Limerick 

104. Bear. Lent by Mr. and Mrs. Miles White, Jr. 

CALDER, A. STIRLING, N. A., N. S. S. Contemporary. Born in 
Philadelphia; lives in New York City. Pupil of Pennsylvania 
Academy of the Fine Arts in Philadelphia; Chapu and Falguiere 
in Paris. Numerous awards. Acting chief Department of Sculp¬ 
ture, San Francisco Exposition 1915. Monuments, fountains, 
ideal figures; represented in Metropolitan and other museums. 

105. Naiad with a Mask. Lent by the Artist. 

106. The Little Dear with the Tiny Black Swan. 

Lent by the Artist. 


[31] 



32 


Baltimore Museum of Art 


CLARK, JOHN L. Contemporary. Lives in Glacier National Park. 
Most of his work is in wood. 

107. Caribou. Lent by Mr. Norman James. 

DONOGHUE, JOHN. 1853-1903. Born and died in Chicago. Studied 
at Chicago Academy of Design; Ecole des Beaux-Arts in Paris 
under Jouffroy; worked in Rome. 

108. The Young Sophocles Leading the Chorus after the Bat¬ 
tle of Salamis. Lent by Mrs. Joy Ten Eyck. 

FRASER, JAMES E., N. A., N. S. S. Contemporary. Born in Win¬ 
ona, Minn.; lives in New York City. Pupil of Falguiere in Paris. 
Member National Commission of Fine Arts. Many awards. Rep¬ 
resented in Metropolitan and other museums; also medalist. 

109. End of the Trail. Lent by Mr. Norman James. 

110. Flora and Sonny-Boy Whitney. Lent by the Artist. 

FRENCH, DANIEL C., N. A., N. S. S. Contemporary. Born in 
Exeter, N. H.; lives in New York City. Ex-President National 
Sculpture Society. Awards include medal of honor Paris Expo¬ 
sition 1900; medals of honor Architectural League of New 
York and National Institute of Arts and Letters. Works include 
“Death and the Sculptor” Boston; Lincoln Memorial, Wash¬ 
ington; and numerous other monuments. 

111. Lincoln (Reduced replica of monument at Lincoln, Neb.) 

Lent by the Artist. 

FRISHMUTH, HARRIET, N. A., N. S. S. Born in Philadelphia; 
lives in New York City. Pupil of Rodin and Injalbert in Paris; 
Gutzon Borglum in New York City. Frequent awards. 

112. Joy of Waters. Lent by the Artist. 

GREGORY, JOHN, N. S. S. Contemporary. Born in London, Eng¬ 
land; lives in New York City. Pupil of Art Students’ League in 
New York; Ecole des Beaux-Arts in Paris; American Academy 
in Rome Fellowship. Director Sculpture Department Beaux- 
Arts Institute, New York. 

113. Philomena. 


Lent by the Artist. 





Inaugural Exhibition 33 


HARTLEY, J. SCOTT, N. A., N. S. S. American; 1845-1912. Born 
in Albany, N. Y.; died at his home in New York City. Studied in 
England, Paris and Rome. Many awards. Numerous monumen¬ 
tal and decorative works. 

114. Sun Dial. Lent by Mr. Robert Garrett. 

HOFFMAN, MALVINA, N. S. S. Contemporary. Born in New 
York City; lives there. Pupil of Rodin in Paris; Gutzon Borg- 
Ium in New York. Honors include gold medal Pennsylvania 
Academy of the Fine Arts 1920. Represented in Luxembourg, 
Paris; Metropolitan Museum, etc. 

115. Boy and Panther Cub. Lent by the Artist. 

HYATT, ANNA VAUGHN, N. S. S. Contemporary. Born in Cam¬ 
bridge, Mass.; lives in New York City. Pupil of Henry Kitson in 
Boston; MacNeil and Gutzon Borglum in New York. Work in¬ 
cludes equestrian Joan of Arc in New York and Domremy; 
noted for animal subjects. 

116. Lion and Lioness. Lent by Mr. Norman James. 

JENNEWEIN, C. PAUL, N. S. S. Contemporary. Born in Ger¬ 
many; lives in New York City. Pupil of Art Students’ League 
in New York; American Academy in Rome Fellowship. 

117. Cupid and Gazelle. Lent by the Artist. 

118. Nymph and Fawn (Darlington Memorial Fountain, Washing¬ 
ton, D. C.). Lent by Mr. Julius Garfinkle. 

MacMONNIES, FREDERICK W., N. A., N. S. S. Contemporary. 
Born in Brooklyn; lives in New York City and in France. Pupil 
of Art Students’ League and of Augustus St. Gaudens in New 
York City; Falguiere and Merciein Paris. Numerous awards,in¬ 
cluding gold medal Antwerp 1894; grand prize Paris Exposition, 
1900. Monumental and decorative sculpture; represented in the 
Metropolitan and other museums. 

119. Bacchante (Small replica of large group in Metropolitan Mu¬ 
seum). Lent by Mr. Norman James. 





34 


Baltimore Museum of Art 


MacNEIL, HERMON A., N. A., N. S. S. Contemporary. Born in 
Everett, Mass.; lives in New York City. Pupil of Normal Art 
School in Boston; Chapu and Falguiere in Paris. First recipient 
of Rinehart Scholarship to Rome. Numerous awards, including 
medal of honor Architectural League, New York, 1917. Monu¬ 
mental and decorative sculpture; represented in Metropolitan 
and other museums. 

120. Dancing Girl with Satyr. Lent by the Artist. 

121. Dreams. Lent by the Artist. 

MANSHIP, PAUL, N. A., N. S. S. Contemporary. Born in St. Paul, 
Minn.; lives in New York City. American Academy at Rome 
Fellowship. Numerous awards. Decorative works in Metropol¬ 
itan and other museums. 

122. Atlanta. Lent by the Artist. 

123. Briseis. Lent by the Artist. 

PICCIRILLI, ATTILIO, A. N. A., N. S. S. Contemporary. Born in 
Italy; lives in New York City. Pupil of Academy San Luca in 
Rome; came to United States in 1888. Several awards. Monu¬ 
mental and decorative work. 

124. The Flower of the Alps. Lent by the Artist. 

PICCIRILLI, FURIO, A. N. A., N. S. S. Contemporary. Born in 
Italy; lives in New York City. Pupil of Academy San Luca in 
Rome; came to United States in 1888. Several awards. 

125. Peace. Lent by the Artist. 

PRATT, BELA L., N. S. S. American; 1867-1917. Born in Norwich, 
Conn.; lived in Boston. Pupil of Yale School of Fine Arts under 
Niemeyer and Weir; St. Gaudens, Chase and Cox in New York; 
Falguiere and Chapu in Paris. Monumental works. 

126. Nathan Hale (original on Yale University Campus). 

Lent by Mr. Norman James. 

PROCTOR, A. PHIMISTER, N. A., N. S. S. Contemporary. Born 
in Canada; lives in New York City and in California. Pupil of 
Art Students’ League and National Academy of Design in New 






Inaugural Exhibition 


35 


York; Puech and Injalbert in Paris. Rinehart scholarship to 
Paris, 1895-1900. Numerous awards, including gold medals Paris 
Exposition 1900. Represented in Metropolitan and other mu¬ 
seums. Animal subjects. 

127. Striding Panther. Lent by Mr. and Mrs. Miles White, Jr. 

PUTNAM, BRENDA. Contemporary. Born in Minneapolis, Minn.; 
lives in New York City. Pupil of Pratt, Fraser and Grafly. 

128. Thistledown (flower holder). Lent by the Artist. 

REMINGTON, FREDERIC, A. N. A., N. S. S. American; 1861- 
1909. Born in Canton, N.Y.;died in Ridgefield, Conn. Chiefly 
self taught. Lived for some years in the West; painted and mod¬ 
eled Indian and cowboy subjects. 

129. Bucking Bronco. Lent by Mr. Norman James. 

ROCKWELL, R. H. American; Contemporary. 

130. Elk. Lent by Mr. Norman James. 

ROTH, F. G. R., N. A., N. S. S. Contemporary. Born in Brooklyn; 
lives at Englewood, N. J. Pupil of Hellmer and Meyerheim in 
Vienna. Many awards. Represented in Metropolitan and other 
museums. Animal subjects. 

131. Rhinoceros. Lent by Mr. Robert Garrett. 

TONNETTI, FRANCOIS M. L. American; 1863-1920. Born in Paris; 
died at his home in New York. Pupil of the Ecole des Beaux-Arts 
in Paris under Falguiere; came to the United States in 1899. 

132. Boy and Swan (fountain). Lent by Mr. William L. Ellicott. 

WEINMAN, ADOLPH A., N. A., N. S. S. Contemporary. Born in 
Germany; came to United States in 1880; lives in New York 
City. Pupil of Art Students’ League in New York under Augus¬ 
tus St. Gaudens, Niehau and French. Numerous awards, includ¬ 
ing gold medal Architectural League, New York, 1913. Mon¬ 
umental and architectural sculpture, and coins. Represented in 
Metropolitan and other museums. 

133. The Pitcher. Lent by Mr. Norman James. 

This item was added after the catalogue was printed 

WHITNEY, GERTRUDE V., N. S. S. Contemporary. Born in New 
York City; lives there. Pupil of James E. Fraser and Andrew 
O’Connor. Several awards. 

134. La Chinoise. Lent by the Artist. 

135. Caryatid. Lent by the Artist. 







■jf.. 










- 




SHEPHERDS OF ARCADIA 
By J. B. C. Corot 










OIL PAINTINGS 

By American and Foreign Artists 

* 

GALLERY F 

ALEXANDER, JOHN W., P. N. A. American; 1856-1915. Born in 
Allegheny, Pa.; lived in New York City. Studied in Munich, 
Paris and Florence. Numerous awards, including Medal of 
Honor at San Francisco Exposition 1915. At the time of his 
death he was President of the National Academy of Design, of 
the National Institute of Arts and Letters, the Mural Painters, 
and the School Art League of New York City. Represented in 
the Luxembourg, Paris; and numerous museums in the United 
States; mural decorations in Library of Congress, Washington, 
and Carnegie Institute, Pittsburgh. Portraits and figure subjects. 

210. Gossip. Lent by the Alexander Estate. 

CARLSEN, EMIL, N. A. American; contemporary. Born in Copen¬ 
hagen, Denmark; came to United States in 1872; lives in New 
York City. Studied architecture at Danish Royal Academy. 
Numerous prizes, including three gold medals. Represented in 
the Metropolitan Museum, National Art Gallery, and many 
other public collections. Marines, still-life. 

202. Mid-Ocean. Lent by the Ferargil Gallery. 

CASSATT, MARY, A. N. A. American; contemporary. Born in 
Pittsburgh, Pa.; lives in Paris. Studied at Pennsylvania Acad¬ 
emy of the Fine Arts and in Europe; influenced by Manet and 
Degas. Represented in the Metropolitan Museum, Corcoran 
Gallery and other public collections. Mothers and children. 

203. Femme a sa Toilette (Lady at her Toilet). 

Lent by the Durand-Ruel Galleries. 

CAZIN, JEAN CHARLES. French; 1841-1901. Studied with Bois- 
boudran. Director of the Ecole des Beaux-Arts at Tours. Land¬ 
scapes. 

204. The Rainbow. Lent by Mr. Jacob Epstein. 

[37] 



38 


Baltimore Museum of Art 


COROT, JEAN BAPTISTE CAMILLE. French (Barbizon School); 
1796-1875. Pupil of Michallon and of Bertin in Paris. Represented 
in Luxembourg and many museums. Landscapes, figure subjects. 

205. Les Bergers d’Arcadie (The Shepherds of Arcadia). 

Lent by Mr. Jacob Epstein. 

CORNOYER, PAUL, A. N. A., American; contemporary. Born in 
St. Louis, Mo.; lives in New York City. Studied in Paris under 
Lefebvre, Constant and Louis Blanc. Represented in Brooklyn 
Museum, City Art Museum of St. Louis, etc. Landscapes, city 
scenes. 

206. The Road to Cos Cob. Lent by Miss Emma Marburg. 

CRANE, BRUCE, N. A. American; contemporary. Born in New York 
City. Pupil of A. H. Wyant. Numerous awards. Represented in 
Metropolitan Museum, Carnegie Institute, etc. Landscapes. 

207. Landscape. Lent by Mr. Daniel Willard. 

DAVIS, CHARLES H., N. A. American; contemporary. Born in 
Amesbury, Mass.; lives in Mystic, Conn. Pupil of Boston Mu¬ 
seum School; Boulanger and Lefebvre in Paris. Numerous 
awards including gold medal San Francisco, 1915. Represented 
in Metropolitan and many other museums. Landscapes. 

207a.GATE to the Pasture. Lent by the Macbeth Galleries. 

DEARTH, HENRY GOLDEN, N. A. American; 1864-1918. Born 
in Bristol, R. I.; lived in New York City. Pupil of Ecole des 
Beaux-Arts, Hebert and Aime Morot in Paris. Numerous 
awards. Represented in Metropolitan and many other museums. 
Figure subjects, landscapes, still-life. 

208. Imperial Dragon. Lent by the Dearth Estate. 

DEWING, THOMAS W., N. A. American; contemporary. Born in 
Boston; lives in New York City. Pupil of Ecole des Beaux-Arts 
in Paris under Boulanger and Lefebvre. Numerous awards. 
Represented in Freer Collection, Washington; Metropolitan 
and many other museums. Decorative figures. 

209. Portrait of Mrs. Francis Jencks. 

Lent by Mrs. Francis Jencks. 




Inaugural Exhibition 


39 


FOSTER, BEN, N. A. American; contemporary. Born in North 
Anson, Me.; lives in New York City. Pupil of Abbott Thayer 
in New York; Morot and Merson in Paris. Numerous awards. 
Represented in National Gallery, Washington; Metropolitan 
Museum; Luxembourg Museum in Paris, and many others. 
Landscapes. 

210. Late November. Lent by Mrs. Lewellys F. Barker. 

FRIESEKE, FREDERICK C., N. A. American; contemporary. 
Born in Owosso, Mich.; lives chiefly in France. Pupil of Art In¬ 
stitute of Chicago; Constant, Laurens and Whistler in Paris. 
Numerous awards. Represented in the Luxembourg, Paris; 
Metropolitan and many other museums. Figure subjects. 

211. The Embroiderer. Lent by the Artist. 

GLACKENS, WILLIAM J., A. N. A. American; contemporary. 
Born in Philadelphia; lives in New York City. Studied at Penn¬ 
sylvania Academy of the Fine Arts and in Paris. Several awards 
for drawings and paintings. Drawings in Metropolitan Museum. 
Member Society of Independent Artists. Figure subjects, still- 
life. 

212. Beach, New London. Lent by the Artist. 

GROLL, ALBERT L., N. A. American; contemporary. Lives in 
New York City. Studied in Munich. Numerous awards. Repre¬ 
sented in Corcoran Gallery; Brooklyn Museum, etc. Western 
landscapes chiefly. 

213. Silver Clouds—Arizona. Lent by the Macbeth Galleries. 

GUILLAUMET, GUSTAVE. French; contemporary. One of the 
modern French painters who went to Northern Africa for his 
subjects. 

214. Village in Al Kantara. Lent by Mr. Frederick Gottlieb. 

HARPIGNIES, HENRI. French; 1819-1916. Born in Valenciennes; 
lived in Paris. Pupil of Achard in Paris; studied also in Rome. 
Landscapes. 

215. Les Bords de L’Ornance a Herisson (The Banks of the River). 

Lent by Mrs. George Hamilton Cook. 




40 


Baltimore Museum of Art 


HASSAM, CHILDE, N. A. American; contemporary. Born in Bos¬ 
ton; lives in New York City. Studied in Paris under Boulanger 
and Lefebvre. Numerous awards. Represented in Metropolitan 
Museum, Freer Collection, etc. Landscapes and figures. 

216. Lorelei. Lent by Mr. Henry Walters. 

HENRI, ROBERT, N. A. American; contemporary. Born in Cin¬ 
cinnati, O.; lives in New York City. Pupil of Pennsylvania Acad¬ 
emy of the Fine Arts; Julian Academy in Paris; studied also in 
Spain and Italy. Member Society of Independent Artists, etc. 
Numerous awards. Represented in Luxembourg, Paris; Art In¬ 
stitute of Chicago, etc. Figures. 

217. The Red Shawl. Lent by Dr. A. R. L. Dohme. 

ISRAELS, JOSEF. Dutch; 1824-1911. Born in Groningen; lived at 
The Hague. Pupil of J. A. Kruseman at Amsterdam; Picot and 
Delaroche in Paris. Represented in many museums in Europe 
and the United States. Dutch peasant subjects. 

218. Reverie. Lent by Mr. Jacob Epstein. 

KROLL, LEON, A. N. A. American; contemporary. Born in New 
York City; lives there. Pupil of Art Students’ League and Na¬ 
tional Academy of Design School in New York; Laurens in 
Paris. Instructor at National Academy of Design 1911-1918; 
now at Maryland Institute. Member Society of Independent 
Artists, etc. Many awards. Represented in Art Institute of Chi¬ 
cago; Pennsylvania Academy of the Fine Arts; etc. Figure sub¬ 
jects. 

219. The Sonata. Lent by the Artist. 

KUEHNE, MAX. American; contemporary. Born in Germany. Pupil 
of Chase, Miller and Henri in New York. Landscapes, still-life. 

220. Flower Panel. Lent by the Artist. 

LAWSON, ERNEST, N. A. American; contemporary. Born in Cal¬ 
ifornia. Studied in Kansas City; Art Students’ League of New 
York; and in Paris. Numerous awards. Represented in National 
Gallery; Metropolitan Museum, etc. Landscapes. 

221. The Connecticut River. Lent by the Daniel Gallery 




Inaugural Exhibition 


41 


McENTEE, JARVIS. American; 1828-1891. Landscape painter of 
the so-called Hudson River School. 

222. Autumn. Lent by Mr. J. Hemsley Johnson. 

MARTIN, HOMER D., N. A. American; 1836-1897. Born in Al¬ 
bany, New York; lived chiefly in New York City. Pupil of W. 
M. Hart. Landscapes. 

223. On the Coast of Normandy. Lent by the Knoedler Galleries. 

MATISSE, HENRI. French; contemporary. Studied at the Ecole 
des Beaux-Arts and in the studio of Gustave Moreau. Traveled 
extensively, spending two years in Morocco. Opened an Art 
School in Paris in 1908. Landscapes, figures, still-life. 

224. Figures in Landscape. Lent by Miss Etta Cone. 

MONET, CLAUDE. French; contemporary. Born in Paris 1840; 
lives at Giverny. Began exhibiting in 1866. One of the group of 
painters known as “Impressionists.” Represented in many mu¬ 
seums. Landscapes. 

225. The Thames, Waterloo Bridge; effect of sun and smoke, 1903. 

Lent by Mr. A. Eisenberg. 

226. La Cabanne des Douaniers (The Custom Collectors’ Cabin); 

Pourville, 1881. Lent by the Durand-Ruel Galleries. 

MORET, HENRY. French; 1856-1913. Born in Cherbourg. Pupil of 
the Ecole des Beaux-Arts in Paris. Represented in the Luxem¬ 
bourg; Manchester Museum, England; Chicago and other mu¬ 
seums in the United States. 

227. Coast of Finisterre. Lent by the Maryland Institute. 

MYERS, JEROME, A. N. A. American; contemporary. Born in 
Petersburg, Va.; lives in New York City. Pupil of Cooper Union 
and Art Students’ League in New York. Member Society of In¬ 
dependent Artists, etc. Various awards. Represented in Metro¬ 
politan and other museums. Street scenes. 

228. The Market. Lent by Dr. A. R. L. Dohme. 

REDFIELD, EDWARD W. American; contemporary. Born in 
Bridgeville, Del.; lives at Central Bridge, Pa. Pupil of Penn- 






42 


Baltimore Museum of Art 


sylvania Academy of the Fine Arts; Bouguereau and Robert 
Fleury in Paris. Numerous awards. Represented in Luxem¬ 
bourg, Paris; Corcoran Gallery, Washington; Metropolitan 
Museum, etc. Snow scenes. 

229. Foothills of the Blue Ridge. Lent by Mr. Frederick Gottleib. 

RENOIR, PIERRE AUGUSTE. French; 1841-1919. Pupil of Gleyre 
in Paris; influenced by Manet. Portraits, landscapes, still-life. 

230. Portrait of a Boy. Lent by Mr. Eisenberg. 

ROBINSON, THEODORE. American; 1852-1896. Lived chiefly in 
New York City. Pupil of Carolus-Duran, Gerome and Claude 
Monet in Paris. Landscapes and figures subjects. 

231. Girl in a Field (probably a study for the Girl and Cow in the 

Metropolitan Museum of Art). Lent by Miss Etta Cone. 

ROSEN, CHARLES, N. A. American; contemporary. Born in West¬ 
moreland Co., Pa.; lives at New Hope, Pa. Pupil of National 
Academy of Design and New York School of Art under Chase, 
DuMond and F. C. Jones. Many awards. Represented in Mu¬ 
seums at Minneapolis, New Orleans, etc. Landscapes. 

232. Shore Ice—Early Morning. Lent by Mr. Robert Garrett. 

SARGENT, JOHN SINGER, N. A., R. A. American; contemporary. 
Born in Florence, Italy, of American parents; lives chiefly in 
England. Pupil of Carolus-Duran in Paris. Many awards in¬ 
cluding medal of honor Paris Expositions 1889 and 1900. Mural 
decorations in Boston Public Library and in Boston Museum of 
Fine Arts; represented in Luxembourg, Paris; National Gallery, 
London, and many museums in United States. Portraits, mural 
decorations, landscapes. 

233. Portrait of Miss Mary Garrett. 

Lent by the Johns Hopkins University. 

SEYFFERT, LEOPOLD, A. N. A. American; contemporary. Born in 
Colorado Springs; lives in Philadelphia. Many awards. Portraits. 

234. Portrait of Miss Read (Mrs. W. S. Thayer). 

Lent by Dr. W. S. Thayer. 

235. Portrait of Dr. W. S. Thayer. Lent by Dr. W. S. Thayer. 




Inaugural Exhibition 


43 


SLOAN, JOHN. American; contemporary. Born in Lock Haven, 
Pa.; lives in New York City. President Society of Independent 
Artists. City subjects, landscapes; also etcher. 

236. Road to Cieneguilla. Lent by the Artist. 

STEER, P. WILSON. British (English); contemporary. Lives in 
London. Pupil of Gloucester School of Art; Julian Academy and 
Ecole des Beaux-Arts in Paris. Landscapes and portraits. 

237. The Terrace. Lent by Mr. Julius Levy. 

STERNER, ALBERT, A. N. A. American; contemporary. Born in 
London, England, of American parents; lives in New York City. 
Studied at Birmingham, England; Julian Academy in Paris 
under Boulanger, Lefebvre and Gerome. President Painters- 
Gravers. Numerous awards. Represented in Carnegie Institute, 
Pittsburgh; Metropolitan Museum; Toronto Museum of Art. 
Portraits; also etcher. 

238. Portrait. Lent by the Artist. 

THAYER, ABBOTT H., N. A. American; 1849-1921. Pupil of 
Ecole des Beaux-Arts in Paris under Lehmann and Gerome. 
Represented in Boston, Metropolitan, and other museums. Ideal 
figure subjects, landscapes, animal studies of protective color¬ 
ing. 

239. Study of a Tiger’s Head. Lent by Mr. Victor G. Bloede. 

WAUGH, FREDERICK J., N. A. American; contemporary. Born 
in Bordentown, N. J.; lives in Connecticut. Pupil of Pennsyl- 
sylvania Academy of the Fine Arts; Julian Academy in Paris. 
Many awards. Represented in Metropolitan Museum, Art In¬ 
stitute of Chicago, etc. 

240. The Spent Wave. Lent by the Artist. 

WEIR, J. ALDEN, P. N. A. American; 1852-1919. Pupil of his 
father, Robert W. Weir, at West Point; National Academy of 
Design in New York; Ecole des Beaux-Arts under Gerome in 
Paris. President National Academy of Design 1915-1917. Nu¬ 
merous awards. Represented in National Gallery, Washington; 




44 


Baltimore Museum of Art 


Metropolitan and many other museums. Figure subjects and 
landscapes; also etcher. 

241. Improvising. Lent by the Weir Estate. 

WHISTLER, JAMES A. McNEILL. American; 1834-1903. Born in 
Lowell, Mass.; Lived chiefly in London. Studied at United 
States Military Academy at West Point; pupil of Gleyre in Paris. 
Represented in the Luxembourg, Paris; Metropolitan Museum; 
a large collection in the Freer Gallery, Washington. Portraits, 
figure subjects, marines; also noted etcher. 

242. Wapping. Lent by Mrs. G. M. Hutton. 

ZULOAGA, IGNACIO. Spanish; contemporary. Lives chiefly at 
Segovia. Learned metal work under his father, Placido Zuloaga, 
a famous armorer; studied in Rome and Paris; influenced by El 
Greco. Figure subjects. 

243. The Toreador. Lent by Dr. A. R. L. Dohme. 




DECORATIVE FURNISHINGS 


/ 

Andirons. Lent by Mrs. Miles White, Jr. 

Chest—English. Lent by Mr. Robert Garrett. 

Rugs—Persian. Lent by the Misses Cone. 

Rugs—Oriental. Lent by Johns Hopkins University, 
from the Halsted Bequest. 

Tapestry—Flemish. Lent by Mrs. G. M. Hutton. 
Tapestries—Flemish. Lent by Mrs. Francis Jencks. 















































♦ 









































































3477-100 


lot 12~61 





































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